My Man in Melbourne

Som Chai meets my family & friends

I am so excited that Som Chai is now in Oz and has been granted a partner visa.

He's met my family and friends, and even come along to Uni with me.

It is wonderful having him here with me - no more lonely nights or awkward outings on my own!

I can throw my wish list in the fire now because he fulfils all my dreams. I am so proud of him - he is charismatic, generous and kind, and he is also Budhist and a meditator!

An Ode to a Human Painting Machine

I wondered whether there was a difference between art made by a human and art made by a machine? So I made a fan that painted, and I became a painting human fan.
Conclusion: there was no difference.

Just an Ordinary Peasant is based on my uncle’s experience as an inmate at Treblinka extermination camp in 1944. His memoir recounts that while being forced to carry corpses from the gas chambers to an open-air pyre, he was handed a sack which held little children who were still alive. The guard commanded the sack be thrown into the fire. The woman I play in Just an Ordinary Peasant is a hybrid character created from the memoirs of my uncle, my parents and my own research. She sings and dances and also throws a sack of babies into the fire. This piece explores my own biases as well as questions the culpability of ‘ordinary people’ who were accomplices to the atrocities carried out during the Third Reich.

An Ode to a Human Painting Machine

janeKormanART

Al Wallajah

The Israeli environmental group, Haganat Hateva (Society for the Protection of Nature in Israel), gathers together with the locals at Al-Walaja village, south of Jerusalem, to support their battle to halt the construction of the Wall being built on their land.

Around Al Wallajah
Olive trees owned by local farmers	The Wall

A Druze border policeman	A local shephard
Heated discussion with locals from a nearby Arab village	The local Druze couple who run a small take-away shop at the gas station in Galilee